Stockhausen on 'sounds', 1972
Uploaded by: golfthewlis
Video Description:
Excerpt from Karlheinz Stockausen's May 1972 lecture to the Oxford Union on 'Four Criteria of Electronic Music'. It proved to be astonshingly priescent. If you like this, get the whole lecture from Stockhausen-Verlang.
http://www.stockhausen.org/video_kassetten_engl.pdf
Tags for this video:
1972 avant criteria electronic four garde instrument karlheinz lecture music sounds stockhausen
Find more videos in the "Music" category
See more videos uploaded by golfthewlis
Comments for this video: Show || Hide
Send this animation video to myspace, facebook, friendster, hi5
Tell a friend:















But with deliberate misunderstanding and misinterpreting KS' words without any knowledge of his intentions with his music (and even connect his works to suffering animals) you don't contribute to the discussion to what is valuable art and what is not.
Why can't you simply admit that you are not able to go any deeper in the works and thoughts of KS and your view on KS and art is therefore as superficial as can be?
You one of those people that are to blame to suggest that anything can be considered as art. KS never stated such a thing, nor any of the other composers you despise.
You have failed to give one example in the works of KS that supports your view that everything=art
You have failed to give one example that suggests that KS says that anything can be art. That is not an insult, that is a fact.
So let's get back to KS and music.
the original pedigree endures.
But KS is a composer and musical explorer, not a priest not a philosopher. We need to discuss his music. That is what makes him with Stravinsky to the most important and influential composer of the 20th century
So please leave this nonsense about 9/11 and KS for your own video. What you accuse KS of, is not what he stands for. It is your own fascination for violence and art, not Stockhausens.
You fail to understand his quote, you fail to discuss his music and you connect things that don't have anything to do with KS art, aesthetics, ethics and music.
KS has nothing to do with your fascination for violence and art. There is more art than the violent art that you find important.
Your tradition ends when you don't know how to appreciate the new music from the 20th century. This music has all its roots however in the tradition. KS as well, just as much as Bach, Beethoven, Wagner, Schönberg and Stravinsky.
But what makes the music of Bach benevolent? Only the fact that he dedicates them to God? KS does the same!
So according to your definition KS' music is as traditional as the music of Bach